Paris - La Belle Époque

Past Imperfect -PLBE- Paris - 1933 -PLBE- Paris

Quote

In Paris, everybody wants to be an actor; nobody is content to be a spectator. -- Jean Cocteau

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La Belle Époque: An Introduction

The Belle Époque or La Belle Époque (French pronunciation: ​[bɛlepɔk]; French for "Beautiful Era") was a period of Western European history. It is conventionally dated from the end of the Franco-Prussian War in 1871 to the outbreak of World War I in around 1914. Occurring during the era of the French Third Republic (beginning 1870), it was a period characterized by optimism, regional peace, economic prosperity and technological, scientific and cultural innovations. In the climate of the period, especially in Paris, the arts flourished. Many masterpieces of literature, music, theater, and visual art gained recognition. The Belle Époque was named, in retrospect, when it began to be considered a "Golden Age" in contrast to the horrors of World War I.

In the United Kingdom, the Belle Époque overlapped with the late Victorian era and the Edwardian era. In Germany, the Belle Époque coincided with the Wilhelminism; in Russia with the reigns of Alexander III and Nicholas II. In the newly-rich United States, emerging from the Panic of 1873, the comparable epoch was dubbed the "Gilded Age". In Brazil it started with the end of the Paraguayan War, and in Mexico the period was known as the "Porfiriato".

Popular Culture & Fashions

The French publics nostalgia for the Belle Époque period was based largely on the peace and prosperity connected with it in retrospect. Two devastating world wars and their aftermath made the Belle Époque appear to be a time of joie de vivre (joy of living) in contrast to 20th century hardships. It was also a period of stability that France enjoyed after the tumult of the early years of the French Third Republic, beginning with France's defeat in the Franco-Prussian War, the Paris Commune, and the fall of General Georges Ernest Boulanger. The defeat of Boulanger, and the celebrations tied to the 1889 World's Fair in Paris, launched an era of optimism and affluence. French imperialism was in its prime. It was a cultural center of global influence, and its educational, scientific and medical institutions were at the leading edge of Europe.

It was not entirely the reality of life in Paris or in France, however. France had a large economic underclass who never experienced much of the Belle Époque's wonders and entertainments. Poverty remained endemic in Paris's urban slums and rural peasantry for decades after the Belle Époque ended. The Dreyfus Affair exposed the dark realities of French anti-Semitism and government corruption. Conflicts between the government and the Roman Catholic Church were regular during the period. Some of the artistic elite saw the Fin de siècle in a pessimistic light. Grand foyer of the Folies Bergère cabaret.

Those who were able to benefit from the prosperity of the era were drawn towards new forms of light entertainment during the Belle Époque, and the Parisian bourgeoisie, or the successful industrialists called nouveau-riches, became increasingly influenced by the habits and fads of the city's elite social class, known popularly as Tout-Paris ("all of Paris", or "everyone in Paris"). The Casino de Paris opened in 1890. For Paris's less affluent public, entertainment was provided by cabarets, bistros and music halls.

The Moulin Rouge cabaret is a Paris landmark still open for business today. The Folies Bergère was another landmark venue. Burlesque performance styles were more mainstream in Belle Époque Paris than in more staid cities of Europe and America. Liane de Pougy, dancer, socialite and courtesan, was well known in Paris as a headline performer at top cabarets. Belle Époque dancers such as La Goulue and Jane Avril were Paris celebrities, who modeled for Toulouse-Lautrec's iconic poster art. The Can-can dance was a popular 19th-century cabaret style that appears in Toulouse-Lautrec's posters from the era.

The Eiffel Tower, built to serve as the grand entrance to the 1889 World's Fair held in Paris, became the accustomed symbol of the city, to its inhabitants and to visitors from around the world. Paris hosted another successful World's Fair in 1900, the Exposition Universelle (1900). Paris had been profoundly changed by the French Second Empire reforms to the city's architecture and public amenities. Haussmann's renovation of Paris changed its housing, street layouts, and green spaces. The walkable neighborhoods were well-established by the Belle Époque.

Cheap coal and cheap labor contributed to the cult of the orchid and made possible the perfection of fruits grown under glass, as the apparatus of state dinners extended to the upper classes. Exotic feathers and furs were more prominently featured in fashion than ever before, as "haute couture" was invented in Paris, the center of the Belle Époque, where fashion began to move in a yearly cycle. In Paris, restaurants such as Maxim's Paris achieved a new splendor and cachet as places for the rich to parade. Maxim's Paris was arguably the city's most exclusive restaurant. Bohemian lifestyles gained a different glamor, pursued in the cabarets of Montmartre.

French cuisine continued to climb in the esteem of European gourmets during the Belle Époque. The word "ritzy" was invented during this era, referring to the posh atmosphere and clientèle of the Hôtel Ritz Paris. The head chef and co-owner of the Ritz, Auguste Escoffier, was the pre-eminent French chef during the Belle Époque. Escoffier modernized French "haute cuisine", also doing much work to spread its reputation abroad with business projects in London in addition to Paris. Champagne was perfected during the Belle Époque. The alcoholic spirit absinthe was cited by many Art Nouveau artists as a muse and inspiration and can be seen in much of the artwork of the time.

Large public buildings such as the Opéra Garnier devoted enormous spaces to interior designs as Art Nouveau show places. After the mid-19th century, railways linked all the major cities of Europe to spa towns like Biarritz, Deauville, Vichy, Arcachon and the French Riviera. Their carriages were rigorously divided into first-class and second-class, but the super-rich now began to commission private railway coaches, as exclusivity as well as display was a hallmark of opulent luxury.

Politics of the Age

The years between the Franco-Prussian War and World War I were characterized by unusual political stability in western and central Europe. Although tensions between the French and German governments persisted as a result of the French loss of Alsace-Lorraine to Germany in 1871, diplomatic conferences, including the Congress of Berlin in 1878, the Berlin Congo Conference in 1884, and the Algeciras Conference in 1906, mediated disputes that threatened the general European peace. Indeed, for many Europeans in the Belle Époque period, transnational, class-based affiliations were as important as national identities, particularly among aristocrats. An upper-class gentleman could travel through much of Western Europe without a passport and even reside abroad with minimal bureaucratic regulation. World War I, mass transportation, the spread of literacy, and various citizenship concerns changed this.

The Belle Époque featured a class structure that ensured cheap labor. The Paris Metro underground railway system joined the omnibus and streetcar in transporting the working population, including those servants who did not live in the wealthy centers of cities. One result of this commuting was suburbanization allowing working-class and upper-class neighborhoods to be separated by large distances.

Meanwhile, the international workers' movement also reorganized itself and reinforced pan-European, class-based identities among the classes whose labor supported the Belle Époque. The most notable transnational socialist organization was the Second International. Anarchists of different affiliations were active during the period leading up to World War I. Political assassinations and assassination attempts were still rare in France (unlike in Russia) but there were some notable exceptions, including President Marie François Sadi Carnot in 1894. A bomb was detonated in the Chamber of Deputies of France in 1893, causing injuries but no deaths. Terrorism against civilians occurred in 1894, perpetrated by Émile Henry, who killed a cafe patron and wounded several others.

France enjoyed relative political stability at home during the Belle Époque. The sudden death of President Félix Faure while in office took the country by surprise, but had no destabilizing effect on the government. The most serious political issue to face the country during this period was the Dreyfus Affair. Captain Alfred Dreyfus was wrongly convicted of treason, with fabricated evidence from French government officials. Anti-Semitism directed at Dreyfus, and tolerated by the general French public in everyday society, was a central issue in the controversy and the court trials that followed. Public debate surrounding the Dreyfus Affair grew to an uproar after the publication of J'accuse, a letter sent to newspapers by prominent novelist Émile Zola, condemning government corruption and French anti-Semitism. The Dreyfus Affair consumed the interest of the French for several years and it received heavy newspaper coverage.

European politics saw very few regime changes, the major exception being Portugal, which experienced a republican revolution in 1910. However, tensions between working-class socialist parties, bourgeois liberal parties, and landed or aristocratic conservative parties did increase in many countries, and it has been claimed that profound political instability belied the calm surface of European politics in the era. In fact, militarism and international tensions grew considerably between 1897 and 1914, and the immediate prewar years were marked by a general armaments competition in Europe. Additionally, this era was one of massive overseas colonialism, known as the "New Imperialism". The most famous portion of this imperial expansion was the Scramble for Africa.

Science & Technology

The Belle Époque was an era of great scientific and technological advancement in Europe and the world in general. Inventions of the Second Industrial Revolution that became generally common in this era include the perfection of lightly sprung, noiseless carriages in a multitude of new fashionable forms, which were superseded towards the end of the era by the automobile, which was for its first decade a luxurious experiment for the well-heeled. French automobile manufacturers such as Peugeot were already pioneers in automobile manufacturing. Edouard Michelin invented removable pneumatic tires for bicycles and automobiles in the 1890s. The scooter and moped are also Belle Époque inventions.

A number of French inventors patented products with a lasting impact on modern society. After the telephone joined the telegraph as a vehicle for rapid communication, French inventor Édouard Belin developed the Belinograph, or Wirephoto, to transmit photos by telephone. The electric light began to supersede gas lighting, and neon lights were invented in France.

France was a leader of early cinema technology. The cinématographe was invented in France by Léon Bouly and put to use by Auguste and Louis Lumière, brothers who held the first film screenings in the world. The Lumière brothers made many other innovations in cinematography. It was during this era that the motion pictures were developed, though these did not become common until after World War I.

Although the airplane remained a fascinating experiment, France was a leader in aviation. France established the world's first national air force in 1910. Two French inventors, Louis Breguet and Paul Cornu, made independent experiments with the first flying helicopters in 1907.

Henri Becquerel discovered radioactivity in 1896 while working with phosphorescent materials. His work confirmed and explained earlier observations regarding uranium salts by Abel Niépce de Saint-Victor in 1857.

It was during this era that biologists and physicians finally came to understand the germ theory of disease, and the field of bacteriology was established. Louis Pasteur was perhaps the most famous scientist in France during this time. Pasteur developed pasteurization and a rabies vaccine. Mathematician and physicist Henri Poincaré made important contributions to pure and applied mathematics, and also published books for the general public on mathematical and scientific subjects. Marie Skłodowska-Curie worked in France, winning the Nobel Prize for Physics in 1903, and the Nobel Prize for Chemistry in 1911. Physicist Gabriel Lippmann invented integral imaging, still in use today.

Art & Literature

n 1890, Vincent van Gogh died. It was during the 1890s that his paintings achieved the admiration that had eluded them during Van Gogh's life, first among other artists, then gradually among the public. Reactions against the ideals of the Impressionists characterized visual arts in Paris during the Belle Époque. Among the post-Impressionist movements in Paris were the Nabis, the Salon de la Rose + Croix, the Symbolist movement (also in poetry, music, and visual art), Fauvism, and early Modernism. Between 1900 and 1914, Expressionism took hold of many artists in Paris and Vienna. Early works of Cubism and Abstraction were exhibited. Foreign influences were being strongly felt in Paris as well. The official art school in Paris, the École des Beaux-Arts, held an exhibition of Japanese printmaking that changed approaches to graphic design, particular posters and book illustration (Aubrey Beardsley was influenced by a similar exhibit when he visited Paris during the 1890s). Exhibits of African tribal art also captured the imagination of Parisian artists at the turn of the 20th century.

Art Nouveau is the most popularly recognized art movement to emerge from the period. This largely decorative style (Jugendstil in central Europe), characterized by its curvilinear forms, and nature inspired motifs became prominent from the mid-1890s and dominated progressive design throughout much of Europe. Its use in public art in Paris, such as Hector Guimard's Paris Métro stations, has made it synonymous with the city.

Prominent artists in Paris during the Belle Époque included post-Impressionists such as Odilon Redon, Gustave Moreau, Maurice Denis, Pierre Bonnard, Édouard Vuillard, Paul Gauguin, Henri Matisse, Émile Bernard, Henri Rousseau, Henri de Toulouse-Lautrec (whose reputation improved substantially after his death), Giuseppe Amisani and a young Pablo Picasso. More modern forms in sculpture also began to dominate as in the works of paris-native Auguste Rodin.

Although Impressionism in painting began well before the Belle Époque, it had initially been met with skepticism if not outright scorn by a public accustomed to the realist and representational art approved by the Academy. In 1890, Monet started his series Haystacks. Impressionism, which had been considered the artistic avant-garde in the 1860s, did not gain widespread acceptance until after World War I. The academic painting style, associated with the Academy of Art in Paris, remained the most respected style among the public in Paris. Artists who appealed to the Belle Époque public include William-Adolphe Bouguereau, the English pre-Raphaelite John William Waterhouse, and Lord Leighton and his depictions of idyllic Roman scenes. More progressive tastes patronized the Barbizon school plein-air painters. These painters were associates of the Pre-Raphaelites, who inspired a generation of esthetic-minded "Souls".

Many successful examples of Art Nouveau, with notable regional variations, were built in France, Germany, Belgium, Spain, Austria (the Vienna Secession), Hungary, Bohemia and Latvia. It soon spread around the world, including to Brazil, Argentina, Mexico and the United States.

European literature underwent a major transformation during the Belle Époque. Literary realism and naturalism achieved new heights. Among the most famous French realist or naturalist authors are Guy de Maupassant and Émile Zola. Realism gradually developed into modernism, which emerged in the 1890s and came to dominate European literature during the Belle Époque's final years and throughout the inter-war years. The Modernist classic "In Search of Lost Time" was begun by Marcel Proust in 1909, to be published after World War I. The works of German Thomas Mann had a huge impact in France as well, such as "Death in Venice", published in 1912. Colette shocked France with the publication of the sexually frank Claudine novel series, and other works. Joris-Karl Huysmans, who came to prominence in the mid-1880s, continued experimenting with themes and styles that would be associated with Symbolism and the Decadent movement, mostly in his book à rebours. André Gide, Anatole France, Alain-Fournier, Paul Bourget are among France's most popular fiction writers of the era.

Among poets, the Symbolists such as Charles Baudelaire remained at the forefront. Although Baudelaire's poetry collection "Les Fleurs du mal" had been published in the 1850s, it exerted a strong influence on the next generation of poets and artists. The Decadent movement fascinated Parisians, intrigued by Paul Verlaine and above all Arthur Rimbaud, who became the archetypal enfant terrible of France. Rimbaud's Illuminations was published in 1886, and subsequently his other works were also published, influencing Surrealists and Modernists during the Belle Époque and after. Rimbaud's poems were the first works of free verse seen by the French public. Free verse and typographic experimentation also emerged in Un Coup de Dés Jamais N'Abolira Le Hasard by Stéphane Mallarmé, anticipating Dada and concrete poetry. Guillaume Apollinaire's poetry introduced themes and imagery from modern life to readers. Cosmopolis: A Literary Review had a far-reaching impact on European writers, and ran editions in London, Paris, Saint Petersburg, and Berlin.

Paris's popular bourgeois theater was dominated by the light farces of Georges Feydeau and cabaret performances. Theater adopted new modern methods, including Expressionism, and many playwrights wrote plays that shocked contemporary audiences either with their frank depictions of everyday life and sexuality or with unusual artistic elements. Cabaret theater also became popular.

Musically, the Belle Époque was characterized by salon music. This was not considered serious music but, rather, short pieces considered accessible to a general audience. In addition to works for piano solo or violin and piano, the Belle Époque was famous for its large repertory of songs (mélodies, romanze, etc.). The Italians were the greatest proponents of this type of song, its greatest champion being Francesco Paolo Tosti. Though Tosti's songs never completely left the repertoire, salon music generally fell into a period of obscurity. Even as encores, singers were afraid to sing them at serious recitals. In that period, waltzes also flourished. Operettas were also at the peak of their popularity, with composers such as Johann Strauss III, Emmerich Kálmán, and Franz Lehár. Many Belle Époque composers working in Paris are still popular today: Igor Stravinsky, Erik Satie, Claude Debussy, Lili Boulanger, Jules Massenet, César Franck, Camille Saint-Saëns, Gabriel Fauré and his pupil, Maurice Ravel.

Modern dance began to emerge as a powerful artistic development in theatre. Dancer Loie Fuller appeared at popular venues such as the Folies Bergère, and took her eclectic performance style abroad as well. Sergei Diaghilev's Ballets Russes brought fame to Vaslav Nijinsky and established modern ballet technique. The Ballets Russes launched several ballet masterpieces, including The Firebird and The Rite of Spring (sometimes causing audience riots at the same time).

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Appearance

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City Device

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Climate

Paris has a typical Western European oceanic climate which is affected by the North Atlantic Current. The overall climate throughout the year is mild and moderately wet. Summer days are usually moderately warm and pleasant with average temperatures hovering between 15 and 25 °C (59 and 77 °F), and a fair amount of sunshine. Each year, however, there are a few days where the temperature rises above 30 °C (86 °F). Some years have even witnessed some long periods of harsh summer weather, such as the heat wave of 2003 where temperatures exceeded 30 °C (86 °F) for weeks, surged up to 39 °C (102 °F) on some days and seldom cooled down at night. More recently, the average temperature for July 2011 was 17.6 °C (63.7 °F), with an average minimum temperature of 12.9 °C (55.2 °F) and an average maximum temperature of 23.7 °C (74.7 °F).

Spring and autumn have, on average, mild days and fresh nights, but are changing and unstable. Surprisingly warm or cool weather occurs frequently in both seasons. In winter, sunshine is scarce; days are cold but generally above freezing with temperatures around 7 °C (45 °F). Light night frosts are however quite common, but the temperature will dip below −5 °C (23 °F) for only a few days a year. Snowfall is uncommon, but the city sometimes sees light snow or flurries with or without accumulation.

Rain falls throughout the year. Average annual precipitation is 652 mm (25.7 in) with light rainfall fairly distributed throughout the year. The highest recorded temperature is 40.4 °C (104.7 °F) on July 28, 1948, and the lowest is a −23.9 °C (−11.0 °F) on December 10, 1879.

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Demonym

Parisian

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Geography

Paris is located in northern central France. By road it is 450 kilometres (280 mi) south-east of London, 287 kilometres (178 mi) south of Calais, 305 kilometres (190 mi) south-west of Brussels, 774 kilometres (481 mi) north of Marseilles, 385 kilometres (239 mi) north-east of Nantes, and 135 kilometres (84 mi) south-east of Rouen. Paris is located in the north-bending arc of the river Seine, spread widely on both banks of the river, and includes two inhabited islands, the Île Saint-Louis and the larger Île de la Cité, which forms the oldest part of the city. The river’s mouth on the English Channel (La Manche) is about 233 mi (375 km) downstream of the city. Overall, the city is relatively flat, and the lowest point is 35 m (115 ft) above sea level. Paris has several prominent hills, of which the highest is Montmartre at 130 m (427 ft). Montmartre gained its name from the martyrdom of Saint Denis, first bishop of Paris atop the "Mons Martyrum" (Martyr's mound) in 250 A.D.

Excluding the outlying parks of Bois de Boulogne and Bois de Vincennes, Paris occupies an oval measuring about 87 km2 (34 sq mi) in area, enclosed by the 35 km (22 mi) ring road, the Boulevard Périphérique. The city's last major annexation of outlying territories in 1860 not only gave it its modern form but also created the twenty clockwise-spiralling arrondissements (municipal boroughs). From the 1860 area of 78 km2 (30 sq mi), the city limits were expanded marginally to 86.9 km2 (33.6 sq mi) in the 1920s. In 1929, the Bois de Boulogne and Bois de Vincennes forest parks were officially annexed to the city, bringing its area to about 105 km2 (41 sq mi). The metropolitan area of the city is 2,300 km2 (890 sq mi).

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Arrondissements

Introduction

The city of Paris is divided into twenty arrondissements municipaux, administrative districts, more simply referred to as arrondissements. These are not to be confused with departmental arrondissements, which subdivide the 101 French départements. The word "arrondissement", when applied to Paris, refers almost always to the municipal arrondissements listed below. The number of the arrondissement is indicated by the last two digits in most Parisian postal codes (75001 up to 75020).

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History

The oldest traces of human occupation in Paris, discovered near rue Henri-Farman in the 15th arrondissement in 2008, are human bones and evidence of an encampment of hunter-gatherers dating from about 8000 b.c., during the Mesolithic period. Between 250 and 225 BC, the Parisii, a sub-tribe of the Celtic Senones, settled on the Île de la Cité and on the banks of the Seine, built bridges and a fort, minted coins, and began to trade with other river settlements in Europe.

In 52 BC, a Roman army led by Titus Labienus defeated the Parisii, and established a Gallo-Roman garrison town called Lutetia. The town was Christianized in the 3rd century AD, and after the collapse of the Roman Empire was occupied by Clovis I, the King of the Franks, who made it his capital in 508.

During the Middle Ages, Paris was the largest city in Europe, an important religious and commercial center, and the birthplace of the Gothic style of architecture. The University of Paris on the Left Bank, organized in the mid-13th century, was one of the first in Europe. It suffered from the Bubonic Plague in the 14th century, and the Hundred Years War in the 15th century, with recurrence of the plague. Between 1418 and 1436, the city was occupied by the Burgundians and English soldiers. In the 16th century, Paris became the book-publishing capital of Europe, though it was shaken by the French Wars of Religion between Catholics and Protestants. In the 18th century, it was the center of the intellectual ferment called the Enlightenment, and the main stage of the French Revolution from 1789 which is remembered every year on the 14th of July with a military parade.

In the 19th century, Napoleon I embellished the city with monuments to military glory. It became the European capital of fashion, and the scene of two more revolutions in 1830 and 1848. Under Napoleon III and his Prefect of the Seine, Georges-Eugène Haussmann, between 1852 and 1870 the center of Paris was rebuilt with wide new avenues, squares and new parks, and the city was expanded to its present limits in 1860. In the latter part of the century, millions of tourists came to see the Paris International Expositions and the new Eiffel Tower.

In the 20th century, Paris suffered bombardment in the first World War and German occupation from 1940 until 1944 in the second World War. Between the two wars, Paris was the capital of modern art and a magnet for intellectuals, writers and artists from around the world. The population reached its historic high of 2.1 million in 1921, but declined for the rest of the century. New museums (The Centre Pompidou, Musée Marmottan Monet and Museé d'Orsay) were opened, and the Louvre given its glass pyramid.

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Population

• -- City (2,891,020) - 1931 census
• -- Urban (5,674,419) - 1931 census

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Attractions

• -- Casino de Paris -- The Casino located at 16, rue de Clichy, in the 9th arrondissement, is one of the well known music halls of Paris, with a history dating back to the 18th century. Contrary to what the name might suggest, it is a performance venue, not a gambling house.

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Vampires of the City

The Legacy of Villon: The Edicts

       "The Edicts are written in English for understanding, and in French for mood purpose."

L'Art / The Art

       Vous ne devrez ni voler, ni détruire, ni altérer un Objet d'Art sans l'Autorisation de l'Ancien parmi les Anciens. Aucun
       Objet d'Art ne doit sortir du Territoire de France sans l'Autorisation de l'Ancien parmi les Anciens.

       You must not steal, destroy, or alter an Object of Art without the Authorization of the Eldest among you. 
       No Object of Art is to exit the domain of France without the Authorization of the Eldest among you.

L'Elysée / The Elysium

       Les Lieux protégé par l'Elysée ne pourront être le théatre de violence, ni de la Chasse. Provoquer la violence ou Chasser 
       dans l'Elysée sans l'Autorisation de l'Ancien parmi les Anciens est passible d'une Chasse de Sang. Par mesure de sécurité, 
       l'accès de certains Elysées sera réglementé.

       Grounds protected by the Elysium will not be sullied by violence of hunt. Provoke violence or hunting in an Elysium 
       without the authorization of the Eldest among you can be punished by the Blood Hunt. For security reasons, the access to    
       some Elysiums will be limited.

Touristic Features & Elysees

L'Ordre / Order

       L'ordre doit être garanti par le Prince, qui s'approprie donc de manière exclusive les moyens d'assurer 
       l'ordre et le bien-être de la Famille comme du Bétail. Il est par consécquent formellement interdit d'influencer
       les forces de polices et les forces armées.
       Les Masques et les Veilleurs, étant les representants du Prince, ne sont pas soumis à cet Edit.

       Order is to be guarranteed by the Prince, who thus gather exclusively for himself the means to warrant the order and well
       being of Kindred and Kine. Thus it is strictly forbidden to influence the police and army forces.
       The Masques, being the representatives of the Prince, are not submitted to this Edict.

Diablerie / Diablerie

       La Diablerie est un acte infâme indigne de notre Condition. Tout Caïnite convaincu de Diablerie sera passible d'une Chasse  
       de Sang, et ce, quel qu'ait été le Calice, ou l'endroit du crime.

       Diablerie is an atrocious action under our condition. Any Kindred guilty of Diablerie can be Blood Hunted, 
       no matter who was the victim and where it happened.

L'Amaranthe / The Amaranth

       Ceux qui se seront montré particulièrement indigne de leur Sang pourront voir leur Sang arraché par l'Amaranthe. Seuls 
       ceux qui auront été dignes des Traditions et Edits de Paris pourront se voir peut-être accordé par l'Ancien parmis les 
       Anciens, l'Amaranthe.

       Those who acted in ways unworthy of their Blood can be subject to the Amaranth. Those who acted in ways worthy of their 
       Blood and of the Traditions and Edicts can be given the right of Amaranth by the Eldest among you.

La Magye / The Magick

       Pratiquer les rituels magiques en présence d'un Mage est strictement interdit, tout comme tout contact avec eux. 
       Leur guerre d'ascension n'est pas la nôtre. Clan Tremere Le retour à Paris est conditionné par le comportement de leurs membres.
       Les Veilleurs ne sont pas soumis à cet édit.

       Praticing magic rituals in presence of a Mage is strictly forbidden, as is any contact with them. Their Ascensíon war is not our own. Clan Tremere Returning to
       Paris is conditioned by the behaviour of their members.
       The Veilleurs are not submitted to this Edict.

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Brujah

• -- Benedicte Dalouche -- Currently in Berlin...but wanting to return.
• -- L'Homme de Peu de Foi
• -- Saint Just 8th Generation, childe of Robin Leeland, sire of Karl.
• -- Thomas Frère(Thomas, Brother); 6th Generation Duc of the Brujah.

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The Bâtards/ Catiff

• --Ivan St. Martin

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Daughters of Cacophony

• -- Eric, the Phantom

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Toreador

• - Francois Villon -- Domain: The Louvre {Location: Right Bank of the Seine in the 1st arrondissement.}
  • - Arnaud -- Domain: Club Elysée {Location: 8th Arrondissement}
    • - Carla Gagnon -- Domain: Église de Saint-Nicolas-du-Chardonnet {Location: 5th Arrondissement}
    • - Maxime -- Domain: Saint-Georges -- A neighborhood of Pigalle -- Maxime has a loft above the vaunted SACEM building that he uses as his haven. {Location: 9th Arrondissement}
      • • - Vivian Daremont
  • - Bernard -- Domain: The Louvre {Location: Right Bank of the Seine in the 1st arrondissement.} -- As the Seneschal of Paris, Bernard resides with his sire in the Louvre.
    • - Chevalier d'Eglantine -- Domain: Les Invalides {Location: 7th Arrondissement}
    • Merevith
  • - Elle Emilie Nicoline
    • - Alexis Sokol
      • - Master Chan
      • - Jean François Champollion
      • - Myriam Van Rompu
    • - Elizabeth Renault
      • - Thibault Emeric Couture
        • - Celene Fabrice
        • - Marlene Fabrice
  • - Lazlo Guerin -- Domain: Palais Bourbon {Location: 7th Arrondissement}
    • - Florient (Deceased)
      • - Dominique
    • - Versancia
      • - Audric St. Thierry
        • - L'Epuisette
  • - Violetta Desjardins

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True Brujah

• -- Delphine 7th Generation.
• -- Paercebal

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Ventrue

• Labienus

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Websites

https://en.wikipedia.org/wiki/Paris_between_the_Wars_(1919%E2%80%931939)

https://en.wikipedia.org/wiki/Belle_%C3%89poque

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