Dark Ages Mage
Contents
Magic -- An Introduction
Dearer to the wizard, the witch and the shaman alike than life itself is the practice of magic. That elusive Gift suffuses their very being. Embodying every fantastic ability that sets the mage apart from the mundane and the ordinary, magic is both the most potent implement and greatest responsibility given to those souls touched by it. White magic exalts its wielder, it is never a thing to be taken lightly; the consequences of doing so are the very stuff of direst legend. When brought to bear on a just and worthy purpose, however, the effects of magic can be nothing short of miraculous.
What is magic? It is, simply put, the ability to remake the nature of the world to one's liking, whether in great ways or small — in this age, wizards traffic in powers unfathomable to frail-minded ordinary mortals. In these dark years, those with the Gift bestride the Earth like titans, blessed with fantastic abilities, abilities honed through sacrifice, dedication and focus. In ex- change for these astonishing powers, those touched with sorcery are, in many ways, set eternally apart from normal men and women. Mages are feared, revered, adored and even worshiped at times, but they can never be just like everyone else. The Gift forbids it. As the Mythic Age wanes, mundane institutions like the Church gain increasing power, and they are not kind to Mages. For this reason, mages who once strode fearlessly before the masses must now hide their lights under bushels, lest they risk the ire of the greater populace, whose awe can quickly turn to hate following the orations of the Church.
Magic can he accurately described as a well that all people can draw from. For some, the well is exceedingly shallow, such as for a farmer whose charms against the evil eye sometimes ward off ill fortune. For others, the well is quire deep, such as for a great sorcerer hurling enchantments from her high tower. In most cases, the capacity for magic seems random. For example, the fisherman's daughter slowly discovers she can talk to plants and animals and is unfazed by the driving snows of winter, while the local alchemist's son has no skill for his father's craft. Some groups, most notably the Order of Hermes, are either able to discern this elusive spark in others or else induce it through a strict regimen of training and discipline, hut most come across their newfound abilities without warning, training or a mentor to ease their first few steps into this strange world. That said, magic is many different things to many different people. To a Christian mystic, the miracles she sings down from Heaven are in no way similar, in practice or metaphysic, to the rites of a Slavic warrior-priest, those of an Arab sorcerer or, possibly, even those of a member of a different sect of her own faith. Magic is, to each and every mage, exactly what he or she makes of it.
In most societies in this age, supernatural phenomena are held to have an external origin. That is to say, all manifestations of mystic power come from sources outside the individual. In the overwhelming majority of cases, magic is considered to stem from sacred sources: deities, spirits, the dead, and so on. Hermetic doctrine appeals to the power of the self, but magic, for all save the most erudite of even their mages, is a force that is controlled rather than an expression of inner strength. The mage is not trying to evolve or expand his mind, but instead to grow in his power and his ability to harness, shape and control the energy of magic. The Gift is the ability to draw upon that energy; nothing more, nothing less.
How Magic Works
Magic, contrary to the beliefs of the uninitiated, is more than just a procedure and its result. Time, effort, understanding and willpower go into every casting, great or small, and are as important and integral as each drop of mercury, ancient Name or supplication to the Crone.
The first step in creating a spell, perhaps not surprisingly, is to conceptualize what is desired. A love potion? A blade that never dulls? An animated corpse? Without this clarity and focus, the mage will he unable to direct her sorcerous might toward any one end and will waste her power in crude and inaccurate rumblings. Fortunately, from the most rigid of Hermetic curricula to the wildest and most unbridled druidic lessons, one of the first things taught to students of almost any established mystic fellowship is a sense of precision in visualizing spells. Anything less would be the height of irresponsibility and disrespect toward one's Gift.
The next step is to check the desired effect against the mage's belief structure. Is it something that this particular school of mystic thought encompasses? A Messianic Voice can no more reincarnate a fallen comrade than a practitioner of the Old Faith could disrupt the flow of the seasons, Those particular effects are alien to the magical teachings of those societies. On the other hand, it is entirely appropriate for a Spirit-Talker to call upon his dead grandmother's shade for wisdom or for a Hermetic adept to assail a weaker mind with the razor- honed edge of her will. Remember, during this stage, that those of a given mystic practice don't think to look for loopholes in their beliefs that allow for violations of that practice's fundamental tenets. Such an idea is preposterous, even blasphemous. The Order of Hermes teaches that travel beyond the Lunar Sphere is impossible, not merely unlikely, and the Ahl-i-Batin know that nothing that exists in this world is truly severed from anything else, no matter how convenient it might be for that to be the case. Always keep such restrictions in mind when envisioning spells within a given paradigm.
Now, provided the desired spell fits within the mage's belief structure, what is needed to bring it about? Each magical fellowship has a Foundation of mystic practice, demonstrating the means by which that group harnesses its magic, and four Pillars, which delineate the capabilities of that particular school of thought. Any spell that a practitioner of a given sorcerous society wishes to create must fall under the purview of one or more of the Pillars she knows {and within her degree of mastery of said Pillar or Pillars) or else she will find herself unable to create it. Thus, it is not merely enough that a shaman wishes to awaken the spirit within his blade (despite the fact that such a spell is perfectly within the bounds of his magical belief system) -- he must also know the mystic rites and secrets that allow him to do so.
At this point, provided all of the above condi- tions have been satisfied, the magic is ready to be brought into being. To create a simple spell (one that utilizes only one Pillar), the caster rolls a number of dice equal to her Foundation plus Pillar against a difficulty equal to 4 plus the level of the Pillar required to create that spell. Note that the caster may have a Pillar significantly higher than the level required to create a given spell without increasing the difficulty in any way; a difficulty 5 simple spell has a difficulty of 5 whether the caster is rolling two dice, six dice or ten dice.
Sometimes, however, a single Pillar is insufficient to create a particular spell. If a Hermetic mage wishes to create a flame that both sears his enemy's flesh and bums away his stored Quintessence, neither his control of the elements nor his mastery of the fabric of magic alone will achieve his desired end. He must incorporate both sets of teachings into a single enchantment. In order to create a complex spell (one that makes use of two or more Pillars in the casting), the caster rolls dice equal to her Foundation plus her score in the highest Pillar required to create the spell, plus one die per additional Pillar involved in the casting. In the event that the highest Pillar score required to create the spell is equal for two or more Pillars, then the caster may choose which Pillar score she adds to the roll. The difficulty for this casting is equal to 5, plus the highest Pillar score required, plus one per additional Pillar involved in the spell.
In the event that circumstances would normally push a difficulty for a simple or complex spell over 9, the difficulty instead remains at 9 and additional successes equal to the additional levels of difficulty are added to the base number of successes required to achieve the spell. Likewise, circumstances that would reduce the difficulty of a spell will reduce the additional number of successes required to create the spell by a like amount (down to one success at difficulty 9) before reducing the spell's difficulty below 9. In any case, whenever a caster is creating a spell and any of her Pillars involved in the casting are higher than her Foundation, she must ex- pend a point of Quintessence. This is a case of too much precision and nor enough power. The Quintessence is required to stabilize the spell and give it momentum and cohesion. Assuming a caster can spend up to three points of Quintessence per turn, he may do so on a single casting to lower the difficulty of a given spell by one per point expended, to a minimum of difficulty 4. (Spending more than two Quintessence points per turn requires the Fount Background; see pp. 86-87}
If the caster rolls the number of successes required to create the spell, then its consequences are resolved (Health Levels of damage are inflicted, distance is traveled, etc.) and the process of casting is typically over. (Sometimes, this is not the case, but these instances are discussed below.)
If the caster does not roll the required number of successes, but rolls no 1s, then the casting simply fails without effect. If, however, the caster attempts the same enchantment again within the same scene, then her overall difficulty is raised by one for each previous unsuccessful casting of the same spell within the scene.
It the caster falls short of the required number of successes to create the spell and rolls one or more Is, then she incurs a Backlash of some sort (systems for this eventuality arc covered later in this chapter) and the desired spell utterly fails. If the caster wishes (and is in any condition) to attempt the same spell again within the same scene, then she incurs an added overall difficulty of two per failed or botched prior attempt during the scene.
There are two special circumstances wherein magic may need to be successfully cast on more than just one turn. These are extended spells and ongoing spells.
Extended Spells
Spellcasting Summary
Simple Spell
- Roll
- Foundation + one Pillar
- If the Pillar's required level is higher than the caster's Foundation. the caster must spend a point of Quintessence.
- Difficulty
- 4 + the Pillar's required level (-1 per extra Quintessence point, up to a -3 max)
- If the difficulty exceeds 9, then the difficulty remains at 9, but one extra success must be achieved per excess point of difficulty.
Complex Spell
- Roll
- Foundation + Primary Pillar + 1 die per additional Pillar involved in casting.
- If the primary Pillar's requirement level is higher than the caster's Foundation, the caster must spend a point of Quintessence.
- Difficulty
- 5 + Pillar's required level + 1 per additional Pillar involved in casting (-1 per extra Quintessence point, up to a -3 max)
Extended Spell
As a simple or complex spell, except that successes are accrued over a series of rolls until the spell is achieved, time runs out, or a roll botches.
The time between rolls varies with the task. Quintessence may be spent per roll to lower the difficulty (-1 per point, -3 max).
Ongoing Spell
As an extended spell, but ten times the usual successes must be achieved. Quintessence cost: 1 point per success, plus 5 points per level of the highest Pillar involved. Willpower cost: 1 point per 10 Quintessence points spent.
- Source
- Pg.98, Dark Ages Mage Core Rulebook
Pillars ~ Forma
Forma was a term used by the mages of the Order of Hermes during the Dark Ages, to collectively describe the four Pillars of their magick: Anima (Command of Life), Corona (Command of the Mind), Primus (Command of Quintessence ), and Vires (Command of Elemental Forces). It should be noted that the Craftmasons eschewed the use of Primus, and instead practiced a Pillar known as Materia (Command of Material Substances).
Overview
Each Pillar of the Order of Hermes is a Forma. Each Forma embodies a fundamental aspect of Creation, a pillar that shores up the world itself. These four ancient Forma are: Anima (the "Breath of Life" that flows through every living being), Corona (the "Crown" which grants control over the working of the mind), Primus ( the raw power of magic itself) and Vires ("Forces", mastery over the energies of the Universe). Although the four Formas encompass a great many potential powers, in no case can current Hermetic theory violate certain precepts set forth by the Church (precepts which Bonisagus himself subscribed to and set forth in the founding doctrine of the Order): The resurrection of the dead, the creation of true life and travel beyond the Lunar Sphere. Further, though many scholars of the Order have truck with various spiritual entities, both benign and malefic, their control of those beings hinges mostly upon mastery of the energies that sustain those beings, rather than power over ephemeral matter (spirit).
Sample Foci: Conjunctions or other astrological phenomena, Enochian language (chants, recitation or text), numerology
- : Anima -- Command of Life
- : Corona -- Command of the Mind
- : Primus -- Command of Quintessence
- : Vires -- Command of Elemental Forces
- : Materia -- Command of Material Substances {Craftmasons}
| Pillar | Color |
|---|---|
| Anima | Red / Black (death) |
| Corona | Blue |
| Fortuna | Purple |
| Materia | Gray |
| Phasma | Gold |
| Primus | White |
| Tempus | Green |
| Travectio | Silver |
| Vires | Orange |
Backgrounds
