Difference between revisions of "Prominence of Shade"

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(Level One - Plato's Cave)
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;[[Tiberius Blæc's Statistics]] -TB- [[Shadowcasting]]
 
;[[Tiberius Blæc's Statistics]] -TB- [[Shadowcasting]]
 
== Introduction ==
 
== Introduction ==
'''Prominence of Shade''' is a sorcerous path of the Shadowcasting school of hedge magic. The key to "Prominence of Shade" lies in  
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'''Prominence of Shade''' is a sorcerous path of the Shadowcasting school of hedge magic. The key to "Prominence of Shade" lies in realizing that shade isn't just the comparative darkness caused by the interception or screening of rays of light from an object, place, or area. Rather objects, places and areas are projections of the Abyss in our world. Therefore, shade is the liminal zone between our world and the world of the Abyss. The dark magician simply calls upon various mystical qualities already inherent in these liminal zones to produce visible or tangible effects in our earthly plane. Thus the allegory of Plato's Cave would have us believe that if we are sitting in a cave looking at a blank wall and upon that wall appear shadows, that those shadows are just illusions of things passing in from of the light. But in reality, the opposite is true, the shadows are more real that the objects to which they are attached and their influence upon the material world and the beings who live there is absolute. 
  
  

Revision as of 17:00, 25 September 2018

Tiberius Blæc's Statistics -TB- Shadowcasting

Introduction

Prominence of Shade is a sorcerous path of the Shadowcasting school of hedge magic. The key to "Prominence of Shade" lies in realizing that shade isn't just the comparative darkness caused by the interception or screening of rays of light from an object, place, or area. Rather objects, places and areas are projections of the Abyss in our world. Therefore, shade is the liminal zone between our world and the world of the Abyss. The dark magician simply calls upon various mystical qualities already inherent in these liminal zones to produce visible or tangible effects in our earthly plane. Thus the allegory of Plato's Cave would have us believe that if we are sitting in a cave looking at a blank wall and upon that wall appear shadows, that those shadows are just illusions of things passing in from of the light. But in reality, the opposite is true, the shadows are more real that the objects to which they are attached and their influence upon the material world and the beings who live there is absolute.


Plato's Cave

Level Two - '