Difference between revisions of "Haematophagy of Mnemosyne and Her Daughters"
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Zeus, in a form of a mortal shepherd, and Mnemosyne slept together for nine consecutive nights, thus conceiving the nine Muses. Mnemosyne also presided over a pool in Hades, counterpart to the river Lethe, according to a series of 4th-century BC Greek funerary inscriptions in dactylic hexameter. Dead souls drank from the Lethe so they would not remember their past lives when reincarnated. In Orphism, the initiated were taught to instead drink from the Mnemosyne, the river of memory, which would stop the transmigration of the soul. | Zeus, in a form of a mortal shepherd, and Mnemosyne slept together for nine consecutive nights, thus conceiving the nine Muses. Mnemosyne also presided over a pool in Hades, counterpart to the river Lethe, according to a series of 4th-century BC Greek funerary inscriptions in dactylic hexameter. Dead souls drank from the Lethe so they would not remember their past lives when reincarnated. In Orphism, the initiated were taught to instead drink from the Mnemosyne, the river of memory, which would stop the transmigration of the soul. | ||
| − | In Hesiod’s Theogony, kings and poets receive their powers of authoritative speech from their possession of Mnemosyne and their special relationship with the Muses. | + | In Hesiod’s Theogony, kings and poets receive their powers of authoritative speech from their possession of Mnemosyne and their special relationship with the Muses. Thus the ''Haematophagy of Mnemosyne and Her Daughters'' calls upon these myths and the funerary customs of the Orphic mysteries which speak of the descent of the deceased's soul to the underworld where it must face the challenges of the three underworld judges: Aeacus, Rhadamanthus and Minos. If the soul could pass each of the judges' tests, then he or she could enter a sacred cavern deep within the underworld and drink of Mnemosyne's pool. |
| − | + | The essence of this ritual is that the necromancer-priest proceeds through the sacred mysteries and through the invocation of Mnemosyne and her nine daughters the Muses, so he or she may consume key memories of the dead, undead or Restless (wraiths) associated with a single ability (talents, skills and knowledge) for which the deceased was known and retain that ability permanently thereafter. The power of the ritual calls upon not only the three judges of the dead, but upon the titaness and her nine daughters to make possible the permanent passing of abilities (talents, skills and knowledges) from the dead to the caster of this sacred rite. Powerful mythological and religious powers are invoked throughout this chthonic ritual and the influence of the Orphic mysteries allows the necromancer-priest to consume dead memories and thus move towards virtual omniscience. | |
| − | The | + | '''An Admonition:''' There are two specific dangers for the participants who undertakes to cast this chthonian rite. The first lies in the performance of sacred magic, for the invocation of powerful mythological figures and gods can place the actors' souls in a perilous place should they profane these mysteries for impure reasons or worse still should they offend the deities with an imperfect performance. Secondly, the consumption of another person's memories can be quite addictive, especially so when the recipient of that ability awakens to discover that they can display that ability with unerring precision and in the very words and style of the deceased. It is a godlike power to be gifted with a deceased person's abilities, but in consuming the deceased individual's memories, the recipient has made of their soul a reliquary for another person's essence and enshrining that person's experiences within themselves until oblivion. |
'''Origin:''' ''Benesj the Black'' -- While the necromancer known as ''Benesj the Black'' produced the latest versions of Greco-Roman rituals, the pale rites underwent three separate evolution beginning with the Cappadocian style and proceeding through an Egyptian style and finally the Greco-Roman style. All such rituals are based on the principle of Authority rather than that of Taboo.<br> | '''Origin:''' ''Benesj the Black'' -- While the necromancer known as ''Benesj the Black'' produced the latest versions of Greco-Roman rituals, the pale rites underwent three separate evolution beginning with the Cappadocian style and proceeding through an Egyptian style and finally the Greco-Roman style. All such rituals are based on the principle of Authority rather than that of Taboo.<br> | ||
Revision as of 23:16, 3 October 2018
Description: Haematophagy of Mnemosyne and Her Daughters is a sacred rite Greco-Roman mysticism. The ritual is based on the chthonian rites of the Orphic mysteries. Mnemosyne is the goddess of memory in Greek mythology, but also a Titanide, or Titaness and the daughter of the Titans Uranus and Gaia. Mnemosyne was the mother of the nine Muses, fathered by her nephew, Zeus. The nine muses were listed as follows: Calliope (epic poetry), Clio (history), Euterpe (music), Erato (lyric poetry), Melpomene (tragedy), Polyhymnia (hymns), Terpsichore (dance), Thalia (comedy), Urania (astronomy).
Zeus, in a form of a mortal shepherd, and Mnemosyne slept together for nine consecutive nights, thus conceiving the nine Muses. Mnemosyne also presided over a pool in Hades, counterpart to the river Lethe, according to a series of 4th-century BC Greek funerary inscriptions in dactylic hexameter. Dead souls drank from the Lethe so they would not remember their past lives when reincarnated. In Orphism, the initiated were taught to instead drink from the Mnemosyne, the river of memory, which would stop the transmigration of the soul.
In Hesiod’s Theogony, kings and poets receive their powers of authoritative speech from their possession of Mnemosyne and their special relationship with the Muses. Thus the Haematophagy of Mnemosyne and Her Daughters calls upon these myths and the funerary customs of the Orphic mysteries which speak of the descent of the deceased's soul to the underworld where it must face the challenges of the three underworld judges: Aeacus, Rhadamanthus and Minos. If the soul could pass each of the judges' tests, then he or she could enter a sacred cavern deep within the underworld and drink of Mnemosyne's pool.
The essence of this ritual is that the necromancer-priest proceeds through the sacred mysteries and through the invocation of Mnemosyne and her nine daughters the Muses, so he or she may consume key memories of the dead, undead or Restless (wraiths) associated with a single ability (talents, skills and knowledge) for which the deceased was known and retain that ability permanently thereafter. The power of the ritual calls upon not only the three judges of the dead, but upon the titaness and her nine daughters to make possible the permanent passing of abilities (talents, skills and knowledges) from the dead to the caster of this sacred rite. Powerful mythological and religious powers are invoked throughout this chthonic ritual and the influence of the Orphic mysteries allows the necromancer-priest to consume dead memories and thus move towards virtual omniscience.
An Admonition: There are two specific dangers for the participants who undertakes to cast this chthonian rite. The first lies in the performance of sacred magic, for the invocation of powerful mythological figures and gods can place the actors' souls in a perilous place should they profane these mysteries for impure reasons or worse still should they offend the deities with an imperfect performance. Secondly, the consumption of another person's memories can be quite addictive, especially so when the recipient of that ability awakens to discover that they can display that ability with unerring precision and in the very words and style of the deceased. It is a godlike power to be gifted with a deceased person's abilities, but in consuming the deceased individual's memories, the recipient has made of their soul a reliquary for another person's essence and enshrining that person's experiences within themselves until oblivion.
Origin: Benesj the Black -- While the necromancer known as Benesj the Black produced the latest versions of Greco-Roman rituals, the pale rites underwent three separate evolution beginning with the Cappadocian style and proceeding through an Egyptian style and finally the Greco-Roman style. All such rituals are based on the principle of Authority rather than that of Taboo.
Ingredients: A bag of sea salt for clarification. Incense made from rosemary for remembrance. A solid silver syringe (for purity) and the recently opened cranium of the victim in which to mix the ingredients. A subterranean pool.
Casting:
System:
Reference: http://maierstorm.org/Vampire/index.php?title=Extract_of_Mnemosyne / https://en.wikipedia.org/wiki/Mnemosyne
