Reynauld's Mortal Associates: Difference between revisions
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'''François Pompon:''' Pompon worked in Rodin's studio and inherited the role of animal sculptor. Unlike Bayre, Pompon focused on simplifying and purifying animal forms to capture their essence. | '''François Pompon:''' Pompon worked in Rodin's studio and inherited the role of animal sculptor. Unlike Bayre, Pompon focused on simplifying and purifying animal forms to capture their essence. | ||
'''Louis-Ernest Barrias''' (1841-1905): Barrias, a French sculptor of the Beaux-Arts school, contributed to the decoration of the Paris Opéra and the Hôtel de la Païva. He worked primarily in marble, in a Romantic realist style influenced by Jean-Baptiste Carpeaux. | '''[[Louis-Ernest Barrias]]''' (1841-1905): Barrias, a French sculptor of the Beaux-Arts school, contributed to the decoration of the Paris Opéra and the Hôtel de la Païva. He worked primarily in marble, in a Romantic realist style influenced by Jean-Baptiste Carpeaux. | ||
'''[[Romée Leclercq]]''' | '''[[Romée Leclercq]]''' | ||
Revision as of 00:31, 25 September 2025
Aristide Maillol (1861-1944): Maillol, initially a painter, later switched to sculpture. He is known for his natural and sensual portrayals of the female nude, with his work "Night" dating to 1902.
Georges de Feure: De Feure, a versatile Belgian artist, became a lead designer for Art Nouveau gallery owner Siegfried Bing. He created decorative ironwork and metal sculpture, as well as furniture, newspaper articles, stage sets, and posters.
Joseph Joanovici: a scrap metal merchant who operated in a Paris suburb during this period, is not considered an artist in the traditional sense.
François Pompon: Pompon worked in Rodin's studio and inherited the role of animal sculptor. Unlike Bayre, Pompon focused on simplifying and purifying animal forms to capture their essence.
Louis-Ernest Barrias (1841-1905): Barrias, a French sculptor of the Beaux-Arts school, contributed to the decoration of the Paris Opéra and the Hôtel de la Païva. He worked primarily in marble, in a Romantic realist style influenced by Jean-Baptiste Carpeaux.