Wilhelm Aust
Sobriquet: Wim -- Formerly: Manuel Mueller (Manu the diminutive of Manuel.)
Appearance: Wilhelm is both statuesque and handsome at 1.93 meters tall. At 106 Kilos, he is well muscled without being bulky. His almost black hair and eyes mark his genetic heritage as distinctly southern, perhaps from Spain or more likely Italy, but he is anything but a 'true' Aryan. Wim manages to maintain a tan year round, but he turns a beautiful mahogany in a tanning salon or under the life giving sun. And he currently wears his hair in a 21st century version of the pompadour. His rugged, ever smiling face bears a fringe of sexy stubble adding to his devil-may-care charm. Wim's physical prowess points to a lifetime of athletic achievement and regular exercise as upkeep. He look equally good in the latest Italian suit of raw silk, as he does in his black Fourth Reich riot gear, or in nothing at all.
Behavior: Wilhelm is very charming and self-satisfied man, and as such his confidence is contagious. But for all his charm and confidence, he possesses precious little ambition, which is why he usually takes a secondary position in all social situations, including his coterie of Neo-Nazi time travelers. If he can be said to possess a fatal flaw it would be his need to preen or be seen by others as a sex object. His almost pathological need for attention predictably stems from likely daddy issues and his choice of men are almost always older and wiser than he. While Wim is homosexual, he is neither a blatant flamer nor a repressed closet case. He knows both men and women are attracted to him and he knows how to exercise the fullest influence over such individuals while offering nothing substantial in return. Where his sexual preference is concerned, he is a careful conservative who has been burned more than once and can unerringly pick out other gay men and homophobes with practiced ease. Being well educated, from a affluent background and homosexual, Wilhelm is something of a conundrum as a devotee of the Nazi philosophy, which in many instances is aggressively homophobic. But the key to this paradox lies in Wim's attraction to the violent and sensually dark world of the Nazi milieu, more a matter of his interest in BDSM than a function of his homosexuality.
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